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1. |
Code
03:07
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2. |
Eddie In The Basement
02:17
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A short flight of stairs
Then a room
With grey walls
A voice in my head
Says her name
And she calls
I build a gift filled with love
It's a ship
Made of wood
I write a prayer in my mind
For the girl
Who was good
My friend
My light
My sun
My night
My moon
My world
My heart
My girl
I work till I'm tired
Then I sleep
On the floor
Cement
Chilly
And damp
I can't dream
Anymore
The mind it will race
When I'm scared
That's a rule
Give up women
And die
That's insane
But I'll try
My friend
My light
My sun
My night
My moon
My world
My heart
My girl
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3. |
Sonder
03:08
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4. |
Mirror Into My Past
03:11
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5. |
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No one knows the truth
They wouldn't believe you anyway
Stay and talk awhile
Pay no mind to petty freaks
Be a rock in a sea fools
Go down deep
Where the fishes sleep
Dead men can't be told what to do
You can see the world from another view
The girl
She's quiet
And rarely speaks
A Russian mind
Tarkovsky's dream
Early on I tried
To be her friend
But I won't be myself again
A rock in a sea fools
Go down deep
Where the fishes sleep
Dead men can't be told what to do
You can see the world from another view
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6. |
Lucid Dreams
03:09
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7. |
Ambedo
02:45
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The Throne of Saint James New York, New York
The Throne of Saint James recommends:
high & low
by kissed her little sister
This is a brilliant album. 'Discoteque Dialect' and 'The Angel of the Lord' are personal favorites.
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The Coachlight Woods
by Glowworm
Glowworm's album 'The Coachlight Woods' has one of my favorite songs: 'Contrails.' It's perfect. And it's incredible how the dialogue from the film 'Gun Crazy' is used. Highly recommended.
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First track off the Summer of Haze EP: 'I▼You.' Bow down. Epic witch house. So good.
go to albumIf you like The Throne of Saint James, you may also like:
Portland shoegaze that plays, as the best representatives of the genre do, with huge, hollow atmosphere against intimate observations.
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Gauzy, intimate, and unsettling: this is the Oakland experimentalist's stunning first full-length.
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Purportedly the recordings of a disgraced experimental psychologist (you decide), “Jumand” sets spoken word to eerie synths.
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